The Horribles

Posted on July 1, 2010 – 6:44 AM | by OldManFoster

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By William Burg

In the era following the Civil War, Sacramento and other cities celebrated July 4^th with considerable reverence. After the long struggle, patriotism helped heal a wounded nation. In Sacramento, the Independence Day parade brought every local organization of note together, ending with a series of patriotic speeches, poems and reading of the Declaration of Independence at the Grand Pavilion. In the shadow of this solemnity, a band of ill-tempered and intemperate Sacramentans held their own parade, meant to poke the pompous and temper the seriousness of the occasion with acts of public lunacy. They were called the Horribles.

Led by a “General Sloverngovern,” the group began in 1867 as the “Bummers,” who marched dressed as women and Chinese workers, followed by an ersatz cannon made of old stovepipe, with pumpkins as ammunition, behind the main parade. Positive responses encouraged them to return the following year, and eventually they became an official part of the parade, paid a subsidy to sponsor them by the city.

Known as “the Fantastics” for a while, but later settling on the title of “Horribles,” their leader, sometimes called the “Jigadier Brindle” or “Generall Killemall,” always led the procession with his immense, bloody wooden sword, often accompanied by a threadbare “Uncle Sam” character, both mounted on the oldest, mangiest nags they could find. Entrants created floats that poked fun at local or national political figures or prominent businessmen. A “waffle wagon” deep-fried and sugared blocks of wood, then hurled them at the crowd. A float labeled “Daniel in the Lion’s Den” featured a young man seated in a cage with several goats, dogs and cats. An acrobat, “Mademoiselle de Standononetoe,” made futile attempts to do acrobatic stunts on horseback while a barker described the amazing feats that she obviously couldn’t perform. A group of “genuine Indians” rode in a cart labeled “We Are The Native Sons of the Golden West,” poking fun at the “Native Sons,” an organization that, at the time, was limited to the California-born sons of Europeans. Marching bands played instruments constructed of scrap wood or tin cans, mangling patriotic and popular songs of the day. Generally, the “Horribles” made as much noise as possible, via fireworks, playing their improvised instruments, or simply howling and shouting as loudly as they could.

At the end of the procession, a trio of indignitaries, the Declaimer, the Orator and the Poet, took the podium at the Grand Pavilion in a ceremony known as the “Illiterate Exercises.” The Declaimer recited the annual “Declamation of Indignation,” the Orator delivered a speech, and the Poet read a poem. Each attempted to outdo the other with a stream of polysyllabic gibberish, except the Poet did so while trying to rhyme.

In the summer of 1894, the massive Pullman Strike brought federal troops to Sacramento to dislodge strikers from the Southern Pacific Shops. Armies of strikers and soldiers faced off in a tense confrontation that eclipsed a small, subdued July 4 parade, with no “Horribles” present. The strike represented a turning point in American history, foreshadowing an era of industrial progress, with less tolerance for public tomfoolery.

Some Sacramentans, including the editors of the Sacramento Union, publicly opposed the presence of the “Horribles” in the parade, and considered them loutish, offensive and tasteless. Their occasional jabs against City Hall, the Board of Trustees, the police force and civic leaders won them few friends in city government. The last “Horribles” parade was held in 1898, after their city subsidy ended. The Horribles may have been out of place in the more straight-laced era of the late Gilded Age, or became an unwanted relic of Sacramento’s rowdy frontier past. Or, perhaps, they simply made fun of the wrong politician.

Tags: Sacramento History, The Horribles